MARCH 9th, 2018
The classic image of a mandolin in action, fingers flying across the frets
Photo by Kate Brady
The mandolin is a vital part of many musical genres, from folk to classical. Recently, it’s become popular among modern performers who are just as fun as the instrument they play.
“Picking up one of Sorensen’s mandolin, you are struck by the fine workmanship, but once you strike your first note, the quality of the sound really hits you.”
– Hermon Joyner
Steve Sorensen of California loves to embrace the fact that he crafts his mandolins differently than the traditional Gibson and Lloyd Loar models. He’s not interested in the cookie-cutter method of building instruments, rather he looks at it the way he looks at making wine, another trade of his. Making wine is a long process, and one that requires patience. To Steve, building mandolins is quite similar. He believes that each mandolin’s sound develops over time, and he feels that his instruments “scream beautifully.”
Themandolinplayer.net tells us “Picking up one of Sorensen’s mandolins, you are struck by the fine workmanship, but once you strike your first note, the quality of the sound really hits you.” Sorenson also has a background in design, and this is shown through his detail-orientation and his articulate craftsmanship. Overall, Sorenson knows what serious mandolin players are looking for, and he’s making instruments which fit their ideals. For an in-depth review of one of Sorenson’s A-model mandolins called The Sprite, check out this article from JazzMando.com.
“Stiver’s mandolins have earned a reputation for impeccable fit and finish, easy playability, strong volume, and clear tone.”
–Hermon Joyner
Pava Knezevic holds one of her instruments
Photo by Tom Ellis
Pava Knezevic hard at work in her workshop
Photo by Tom Ellis