FEBRUARY 2nd, 2018

On Richmond Street in downtown Providence lives a hip live music venue and nightclub called Alchemy. This otherworldly little lounge is appropriately named, and it’s an ideal spot for night owls like myself to come out and support their local artists. Just walk inside and the hypnotic ambiance is immediately evident from the multi-colored mood lighting that flashes over a mysterious dark room. Like unveiling a juicy secret, your first time at Alchemy will make you say to yourself, this is my new favorite place. The staff is beyond friendly, too. The kind-eyed bartender was laid-back yet courteous (and also super apologetic), and offered me a free drink after admitting they were out of limes that night. The smell of freshly popped corn filled the air as the employees placed bowls of it on the bar, something for us hungry-for-music attendees to much on while we waited. I made my way over to the arcade games where a pinball machine flashed, and I couldn’t resist playing a few rounds before the show. One of the coolest things about this place is the fact that a sweet view of the stage can be had from anywhere inside. You can take a seat at the bar, get up and dance, or plop down on one of the oversized, cozy leather couches and still get an awesome view of the band.

One of the two groups featured last Saturday calls themselves They Were Robots. The lively crew combines five uber-talented members: Chris Mitchell on keyboard, Mike Cirino on guitar, Matt Smith on bass, Keith Harriman on trombone, and Tim Eskey on drums. Everyone except Tim contributes to the vocals as well. Each bandmate adds his own personal energy on stage; not one of the guys seemed to overshadow the rest, and interlocking vocals give the music a unique texture. I was vibrating with anticipation as I sipped my drink, waiting for them to start the show. The moment they started playing I could feel my spirits lifting. The best way to describe their sound in a nutshell is experimental with a clear alt-rock influence. In the middle of the set, center stage trombonist Keith Harriman asked the audience if we were familiar with the band Cake. I threw my hand in the air as I began reminiscing on the summer nights I’d spent blasting The Distance through my car speakers. Cake does an epic job of smoothly working the trumpet into an alt-rock song, and They Were Robots manages to do the same with the trombone. I have to admit, my favorite part of the show was watching how much fun the band had on stage. There were nothing but passionate and magnetic vibes emanating from these guys as they set fire to the room. The red, green, and blue lights that danced over them reflected the colorful personalities of the bandmates, on radiant display during the set. Even when my feet started to hurt, I couldn’t choose taking a seat over swaying and bouncing to this vivacious bunch. Make sure you check out the band ASAP. Take it from me, their good mood tunes could turn any bad day around with just one note.

I was buzzing after drummer Tim Eskey hit me with a wave of positivity during our brief interview. His genuine insight left me eager to hear more and impatiently waiting for my next opportunity to see him live again

How long have you been playing live?

Started playing out when I was around 11-12, with a dixieland band in San Diego. A couple of years later I was playing swing standards with a big band on a yacht club circuit. Then it was a succession of rock, jazz, and fusion bands at clubs, parties, bars, concerts, and festivals.

How did you meet your bandmates?

Craigslist! I’d been playing in the Boston area, but recently moved to Rhode Island and wanted to be more musically centered here. The band (They Were Robots) had been together about a year and was between drummers, looking for a replacement. I answered the ad and we got together to see if it was there. We played and I was blown away. They’re talented, committed, and write compelling and challenging originals. Glad I got the gig. It’s great playing with these guys and being part of where they’re going.

Your Heaven Audio has a drum system in the works, what are the biggest audio challenges you face when playing live?

Getting an accurate sense of how the drums really sound in the mix that the audience is hearing.

Who are some of your influencers and/or favorite artists and what do you admire most about them?

Early influencers/favorites were older jazz drummers like Buddy Rich, Elvin Jones, Art Blakey, Tony Williams, Joe Morello, Jo Jones; and some younger cats like Peter Erskine.  In the rock genre, Ringo (of course), John Bonham, Carl Palmer, Danny Seraphine, Neal Peart, Keith Moon, Ginger Baker, Stewart Copeland, and Dave Grohl are favorites.  Fusion drummers like Vinnie Coliuta blow me away too. That’s a long list, but what they have in common that I most admire is not their incredible chops (that’s just a given on that level) but how they blend with, and make their bands.  Listening to these guys teaches that drummers are sure enough important, but they need to be a piece of the whole, serving the band’s music, rather than flashing chops, just because.

Any advice or words of wisdom for fellow performers in the industry?

When I was lugging drums to rehearsals and gigs before I could drive, my grandfather, who patiently drove me around, always used to say, “you should have played the damn flute!”  That always used to crack me up because the only thing I ever wanted to play was drums and, not just by myself, but with just about anybody who would play with me and who, like me, ultimately wanted to play out for other people.  I don’t know about advice or wisdom, but I do know that sometimes it’s a grind to get it right and deal with the fact that there’s a lot of competition for good venues these days.  So I’d just remind folks to keep in mind what you love about gigging and to support your fellow musicians by going out and seeing their shows and letting them know when they kill it.